"and I'm as free as the wind blowing on the beach…"
斗百草:222.19.221.173
#BJIFF 2022 资料馆 98th Katia et Maurice本身作为科教影像的创作者与电视媒体出镜者提供了数不尽的宝贵素材也让本片看起来更像是再创作Katia et Maurice红火山与灰火山影片抓住了一些对比关系而没有滥用取之不尽的视觉奇观从二人与火山的三角恋延伸到最后火山学家火山与人类的三角关系出生于二战后重建时期厌倦于众生的渺小而亲近火山的伟大又因职责所在选择重新接近社会一面亲上边一面膜下边的免费最终为人类而葬身烟海形式所限对于二人的具体刻画只能来自于他们自己也因此无法完成特别可信的心理描摹与震撼的内心和解煽情不过这也并非本片目的所在
Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.